High-Resolution Artwork Outpainting with Global Blueprint Guidance and Layout Control

ECCV 2026

Junha Kim,Hyunjoon Park, andDonghyeon Cho

Hanyang University, Seoul, Republic of Korea† Corresponding author

BlueOut expands a source artwork into a coherent and controllable high-resolution canvas through global blueprint guidance and parallel patch synthesis.

Outpainting Process Demo

Four examples illustrate the complete outpainting process, from layout-conditioned global blueprint generation to parallel high-resolution patch synthesis.

Abstract

High-resolution artwork outpainting requires both stylistic consistency and globally coherent structure across a substantially expanded canvas. Existing progressive methods can accumulate errors, provide limited spatial control, and synthesize local patches sequentially. BlueOut addresses these limitations with a two-stage framework. It first generates a layout-conditioned global blueprint and then uses the blueprint to guide parallel high-resolution patch synthesis. This design improves visual fidelity and semantic consistency while substantially reducing inference time.

Comparison of prior high-resolution outpainting limitations with BlueOut's global blueprint, layout conditioning, and parallel synthesis
Existing methods are limited by error accumulation from the lack of global planning, limited spatial control, and the latency of sequential synthesis. BlueOut addresses these issues through global blueprint guidance, layout conditioning, and parallel patch synthesis.

Method

A global blueprint coordinates all high-resolution regions of the expanded canvas.

Overview of the two-stage BlueOut architecture
Overview of BlueOut's two-stage framework. A layout-conditioned global blueprint guides parallel high-resolution patch synthesis across the expanded canvas.

Stage 1 generates a low-resolution blueprint of the complete scene from the source artwork and optional layout conditions. Stage 2 transfers blueprint features and patch-position information to the high-resolution denoiser. The patches are then synthesized in parallel and blended with the preserved source image.

Results

Qualitative Comparisons

InputSD InpaintingPowerPaintProOutOurs
Input result for qualitative comparison 1
SD Inpainting result for qualitative comparison 1
PowerPaint result for qualitative comparison 1
ProOut result for qualitative comparison 1
Ours result for qualitative comparison 1
Input result for qualitative comparison 2
SD Inpainting result for qualitative comparison 2
PowerPaint result for qualitative comparison 2
ProOut result for qualitative comparison 2
Ours result for qualitative comparison 2
Input result for qualitative comparison 3
SD Inpainting result for qualitative comparison 3
PowerPaint result for qualitative comparison 3
ProOut result for qualitative comparison 3
Ours result for qualitative comparison 3
Input result for qualitative comparison 4
SD Inpainting result for qualitative comparison 4
PowerPaint result for qualitative comparison 4
ProOut result for qualitative comparison 4
Ours result for qualitative comparison 4
Input result for qualitative comparison 5
SD Inpainting result for qualitative comparison 5
PowerPaint result for qualitative comparison 5
ProOut result for qualitative comparison 5
Ours result for qualitative comparison 5

Layout-Controlled Outpainting

InputLayout ConditionSD InpaintingPowerPaintProOutOurs
Input for layout-control comparison 1
Layout Condition for layout-control comparison 1
SD Inpainting for layout-control comparison 1
PowerPaint for layout-control comparison 1
ProOut for layout-control comparison 1
Ours for layout-control comparison 1
Input for layout-control comparison 2
Layout Condition for layout-control comparison 2
SD Inpainting for layout-control comparison 2
PowerPaint for layout-control comparison 2
ProOut for layout-control comparison 2
Ours for layout-control comparison 2
Input for layout-control comparison 3
Layout Condition for layout-control comparison 3
SD Inpainting for layout-control comparison 3
PowerPaint for layout-control comparison 3
ProOut for layout-control comparison 3
Ours for layout-control comparison 3
Input for layout-control comparison 4
Layout Condition for layout-control comparison 4
SD Inpainting for layout-control comparison 4
PowerPaint for layout-control comparison 4
ProOut for layout-control comparison 4
Ours for layout-control comparison 4
Input for layout-control comparison 5
Layout Condition for layout-control comparison 5
SD Inpainting for layout-control comparison 5
PowerPaint for layout-control comparison 5
ProOut for layout-control comparison 5
Ours for layout-control comparison 5
Input for layout-control comparison 6
Layout Condition for layout-control comparison 6
SD Inpainting for layout-control comparison 6
PowerPaint for layout-control comparison 6
ProOut for layout-control comparison 6
Ours for layout-control comparison 6

Poster

BlueOut ECCV 2026 poster

BibTeX

@article{kim2026highresolution,
  title   = {High-Resolution Artwork Outpainting with Global
             Blueprint Guidance and Layout Control},
  author  = {Kim, Junha and Park, Hyunjoon and Cho, Donghyeon},
  journal = {arXiv preprint arXiv:2607.06162},
  year    = {2026}
}